Yet hip-hop is also a special case. It arose from black American street culture in the late 70s and early 80s, and it still wears its ethnic origin on its sleeve. It has exposed both good and bad aspects of African-American life to the world like nothing else before it. New York City remains the epicentre of global hip-hop just as it was over 30 years ago. Unlike some other black forms of music that have become mainstream (jazz, blues, rock & roll), hip-hop is still mostly a black thing. So how do “white pride” and “white power” elements come to exist in an art form that is so intrinsically non-white at its core?
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